15. chasable
[Spam for Zane]
[Mira has had insomnia, off and on, for her entire stay on the barge. It's improved a bit since the mirror barge, but it is not at all strange to see her roaming the ship at odd hours. She avoids the patrols, creeps silently as a matter of habit. She peers at the stars and takes the occasional apple from the dining hall. Mostly, though, she winds her way up and down the stairs. Every murder so far has been in a stairwell. It makes sense - confined space, tight angles, good for concealment and sudden strikes. There is no tension of fear in her shoulders, no glancing back. She has her staser in her boot, but that, too, is not unusual.
It's not a trap, because her goal is not to stop whoever it is; her goal is not to survive or conquer. Only to see. The rest she leaves to skill and chance. And to that end, pins holding her unruly hair in place have been modified to carry some of Barbara's tiny bugs, hacked and modded with less skill but more advanced tech, transmitting to a screen where Mickey broods and watches and waits, and to Mira's neural Direct Interface. The culprit attacks from behind; but now Mira has eyes in the back of her head.]
[Mira has had insomnia, off and on, for her entire stay on the barge. It's improved a bit since the mirror barge, but it is not at all strange to see her roaming the ship at odd hours. She avoids the patrols, creeps silently as a matter of habit. She peers at the stars and takes the occasional apple from the dining hall. Mostly, though, she winds her way up and down the stairs. Every murder so far has been in a stairwell. It makes sense - confined space, tight angles, good for concealment and sudden strikes. There is no tension of fear in her shoulders, no glancing back. She has her staser in her boot, but that, too, is not unusual.
It's not a trap, because her goal is not to stop whoever it is; her goal is not to survive or conquer. Only to see. The rest she leaves to skill and chance. And to that end, pins holding her unruly hair in place have been modified to carry some of Barbara's tiny bugs, hacked and modded with less skill but more advanced tech, transmitting to a screen where Mickey broods and watches and waits, and to Mira's neural Direct Interface. The culprit attacks from behind; but now Mira has eyes in the back of her head.]
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He has to end it quickly; there are patrols around, and though he's seized a moment between them, there's no way to guarantee how long the moment will last.
His other hand catches her wrist short of his armpit, and he twists and breaks the bones, requiring a surge of pewter-driven strength. He tries to use the shock of that moment to get her fully on her stomach, pin her down so she doesn't have the leverage to fight back.
And if he succeeds in that, he will just touch the knife to her throat. Just dig in enough for a trickle of blood. If she enjoys this, then he'll slow it down - he'll take a few long seconds to enjoy the intimacy of death. ]
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Yes. Yes.
[She still struggles, tries to get a knee up, to throw him with a twitch of hips - his strength shouldn't change his weight, except something does, something she doesn't understand is bracing him. She's utterly caught, and that only makes it better.]
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I know it was you.
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[One part prickly to two parts curious.]
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I didn't know how much of your advantage depended on people not seeing you coming.
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No. Not right now. I just wanted to catch you.
[And she did. Victory is sweet.]
First.
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[She doesn't feel particularly driven to make him understand how she meant it. She knows. But her face does pinch, then, worried, because she cares for him now, instead of just nebulously wondering how much they understand of each other.]
Did your God find you?
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You do it because of how it makes you feel.
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[Not rhetorical. She is very curious about this.]
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Lives exist by living. Consuming, extending, replicating.
For making better lives, my Gods would have said. Meaning themselves.
[She thinks maybe she will mean it another way, even though no purpose can be proven. An article of a new faith.]