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2 - Video, public
[Open, Video]
[She got caught by the women's council, near the end. They dragged her off when she claimed to have no family to be returned to, interred her in a tiny church with other troublesome, unmarried young ladies. Most of them had had a child out of wedlock. They did laundry together, work and penance, the heavy lye soap burning their hands hour by hour. Mira could have swaggered out bloody, but she didn't - something about the mumbled prayers and the delicate stained glass windows and the blunt, human directness of it, the brusque cruelty and judgement appealed to her. Their God was hypocritical and describable; the things he required of her were concrete and impersonal. It didn't matter that she was no one, in the cloister - all of them were no one, were discards, and they showed her how to do the work and took her unhesitatingly in. She enjoyed it, in her way, listened to the other women talk about their children, taught one how to break her boyfriend's wrist the next time he came home drunk. And she stayed until the barge caught her up again.
She's in the chapel now, dull and bare by comparison, not gaudy morbid stories or old ash marks on squat brick. She rolls a candle from one hand to the other. She has kept to herself, so far, has made no announcements or introductions, done nothing to draw undue attention since the nature of this place was explained to her. She was content with that state of affairs. But she is curious, now.]
How many of us are religious?
[Spam, forHarvey Two-Face]
[Several days after the fair, Mira shows up at his door, tense and eager. She's put it off - she's nervous, if she's honest, because she doesn't know how to do this, and she can't trust her own memory. She thinks he was crazy, thinks he responded the same way she did, but what if she's wrong? What if smashing his jaw with a billiard ball was too far?
At least she has an excuse to be here. She has presents.]
[She got caught by the women's council, near the end. They dragged her off when she claimed to have no family to be returned to, interred her in a tiny church with other troublesome, unmarried young ladies. Most of them had had a child out of wedlock. They did laundry together, work and penance, the heavy lye soap burning their hands hour by hour. Mira could have swaggered out bloody, but she didn't - something about the mumbled prayers and the delicate stained glass windows and the blunt, human directness of it, the brusque cruelty and judgement appealed to her. Their God was hypocritical and describable; the things he required of her were concrete and impersonal. It didn't matter that she was no one, in the cloister - all of them were no one, were discards, and they showed her how to do the work and took her unhesitatingly in. She enjoyed it, in her way, listened to the other women talk about their children, taught one how to break her boyfriend's wrist the next time he came home drunk. And she stayed until the barge caught her up again.
She's in the chapel now, dull and bare by comparison, not gaudy morbid stories or old ash marks on squat brick. She rolls a candle from one hand to the other. She has kept to herself, so far, has made no announcements or introductions, done nothing to draw undue attention since the nature of this place was explained to her. She was content with that state of affairs. But she is curious, now.]
How many of us are religious?
[Spam, for
[Several days after the fair, Mira shows up at his door, tense and eager. She's put it off - she's nervous, if she's honest, because she doesn't know how to do this, and she can't trust her own memory. She thinks he was crazy, thinks he responded the same way she did, but what if she's wrong? What if smashing his jaw with a billiard ball was too far?
At least she has an excuse to be here. She has presents.]
no subject
Well, I trusted someone once.
[Wry, tart, an unmistakable affirmative.]
no subject
[And people trusted me, he thinks, with a crooked little smile.]
Welcome to the Good Ship Dumbass, then. I'm Cassel. Your captain for this voyage.
no subject
[He'll know that already - Iris has used it on public conversations. But it's polite.]
Am I a passenger or a sailor in this metaphor?
no subject
If you're a sailor, you're the worst sailor in existence. You have no idea how to navigate the ship you're on. And you want to know where you're going, but you never will.
If you're a passenger, it's even worse, because you can't delude yourself into thinking you have any control.
no subject
[any more]
- delusions.
I think.
no subject
[He twines his fingers together and looks at her - not tenderly, but with some measure of softness.]
So what do you want?
no subject
I wanted something different. I guess I got it.
no subject
[A nod.]
I guess you did.
If you figure out what else you want. Maybe I can help you find it. Maybe not.
no subject
[A little amused, in spite of herself.]
no subject
But that seems like a little much, don't you think?
no subject
no subject